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Matryoshka

by Lampshades & Offlights

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1.
For Years or so we’ve held tight With our many notes scattering about We piggyback through dazes of laughter Travelling elsewhere we go on For we’ll be back To hit the bucket for breakfast Quarried bits of joyfulness Taken from what good this is The wonderbots take you and us away from appropriate roses Travelling elsewhere we go on For we’ll be back To hit the bucket for breakfast My over under turned ladies Maybe you’ll see me And we can be three again
2.
The Shakes 03:42
My un-reactions cause you to crumble Away towards stillness is how I take it Either side losing a tear between the liar’s decision Is it all surrounded for the right reasons Hidden below the aftermath Sigh a few more up to the floor Goes the life of my lover Pull away, you dare not say The ending words to my lover Tossing and turning, I fall into a writers block Off goes the first layer of sheets scraping against my wooden knee Sigh a few more up to the floor Goes the life of my lover Pull away, you dare not say The ending words to my lover Is it all surrounded for the right reasons Hidden below the aftermath Sigh a few more up to the floor Goes the life of my lover
3.
Beatles watch out for the gate Opening to the octopuses garden Deep deep below, over the hedge hop Reach over the sea to see for yourself of what the flying pigs are talking about Your gonna get get get get dead The octopus is gonna get fed All your blood is gonna be red Before another word is said Fly if you wish, row if you dare Grasping over the side for more air He’s heading close, beware of your feet for the tentacles will suck your nose to the ground Your gonna get get get get dead The octopus is gonna get fed All your blood is gonna be red Before another word is said Play time has finished and so has the dog Down he goes through the magic say
4.
Cheeks pounding Teeth rattling Alongside the agony caught in the net Flat head Wide eyed Fools for the roadside pick-up Weary destination finds its beginning Tough luck finding your way through topsy turvy mountain sides Leading the lines out of order ‘So simple’ greets the man with strange hands in this pockets Gazing the everflowing passageways on cobble stone foot Alines the missing pleasure of own free will Follow the leader on blindfolding hops Pass by the bicycles yelling HEY PICASSO Left turn over tapestries of broken-down cities Leading you past in the distance Nowhere gets you someplace else
5.
Let the ground be under your foot constantly silent about the whispering light piercing away all a blur behind us into what we want it to be Let words speak for themselves who linger almost suddenly across our own page Maybe should I think of what could have been or what I’ve doen to be treated this way Ignored is what they call it passing by as if air catches an interest That’s what I said but no? Let the ground be under your foot constantly silent about the whispering light piercing away all a blur behind us into what we want it to be Let words speak for themselves who linger almost suddenly across our own page Maybe should I think of what could have been or what I’ve doen to be treated this way Ignored is what they call it passing by as if air catches an interest That’s what I said but no? They’re on their way and their ready to go-oh-oh
6.
Standing man Slam that punch line to the ground Grin in hand Swallowed past the pump Left ‘em through the bellside highway Before you head my way Standing man Slam that punch line to the ground Grin in hand Swallowed past the pump Left ‘em through the bellside highway Before you head my way
7.
What is it that we’re listening to? The static of sounds fusing together to form clouds in the sky Where did that last pulse go? Back to the beat from trash cans rumbling and explosions in the sky Let that record play on Through the million songs it has to bring to life Where did the last pulse go? Back to the beat from trash can rumbling and explosions in the sky Where was I when your sound evaporated in thin air amongst the many untouched stereos Where did the last pulse go? Back to the beat from trash cans rumbling and explosions in the sky Dislikes never thrown up to catch or grasp Left to fall beneath our feet Ears reaching from all sides of us Aroused by what they can’t hear
8.
Cellar Door 03:02
Yelling is for those who can’t stand what’s beneath the endless tanglements being cast off Hopefully you won’t become the frustration that has turned into these feuds over the butter dish Can’t you tell what doesn’t fit through the doorway? Trusting me with not knowing what should be trusted See across the horizon and not just through your distorted hour glass But I’m left here looking for what completes my 256 worded puzzle How is this possible to wait any longer For the caterpillar up on his mushroom is collecting your taxes, burying your dreams and taking that last piece of cake My snail, my life don’t place it under the wrong sign Awaiting the expectations of what behind the book Yelling is for those who can’t stand what’s beneath the endless tanglements being cast off
9.
Flying their spereate ways into the eye of fate Here stands a vision in pink, unlike what you think Across the widening path waddles a stunning beauty hidden in the tall grass It was a secret love affair and they met half way between marshes and bedrooms is where they lay wing and wing on they went eating sushi under an umbrella tent Helga was his name Other than that his rubber feathered heart spoke for itself never would he know how this flamingo and chicken came to be until their yellows and pinks collided It was a secret love affair and they met half way between marshes and bedrooms is where they lay wing and wing on they went eating sushi under an umbrella tent Flying their spereate ways into the eye of fate here stands a vision in pink, unlike what you think across the widening path waddles a stunning beauty hidden in the tall grass
10.
I hide away in my wool blanket, Sinking the day-dreams into a heap Beside my feet, the chills burrow in Tiring these thoughts down deepens Our love calls out in minor sixes Far beyond our reach. Back to back we run in hope To catch a moment’s loss Call this, old habits sake Luring me back with less hold Caught in the strands sewn tight We let the undecided lead ahead Our love calls out in minor sixes Far beyond our reach. Back to back we run in hope To catch a moment’s loss I lay awake in my wool blanket For I am wrapped in love.
11.
Babushka 03:17
We tree-sitters in the living room cast away a glance Lakritze, Ya Rooski, Babushka Foreign frenzies send you black to overlooking pasts We take it Faxes we make in sync Lakritze, Ya Rooski, Babushka Empty record racks lay on the living room floor Bit by bit goes Zappa’s ratz in mouthfuls of memories we swallow Lakritze, Ya Rooski, Babushka
12.
Blocking my expectations to end all a blur Will you come with me back to where we will fall into the piles of our thoughts Standing here, calling out to get your attention But unrecognized emotions spill over the table cloth Uncontrollably we love Tears are the only sign of confusion and hope for the best Each drop falls the same way as I am falling for you Hold this umbrella with all our might and embrace all the mistakes we’ve had Look into the waterfall of your loving eyes In the waiting room unexpectedly trying to get out of this mess Will you tell me if everything is lost down the drain or will I be hurting even less Blocking my expectations to end all a blur Will you come with me back to where we will fall

credits

released July 15, 2011

L&O
Tucker Bottomley - Bass, vocals
Pauline Cameron - Vocals
Julia Mermelstein - Guitar, piano, vocals
Robert Purcell - Drums, percussion
Willie Strattion - Trumpet on Cellar Door
Jody Lyne - Trumpet on Pass It Along
Rob Crowell - Piano and Saxaphone
David Christiansen - Clarinet and percussion

Produced by Malachy Maguire & Lampshades & Offlights
Originally engineered and mixed by Chance Gillis
Originally recorded at New Art Studios

Engineered and remixed by Charles Austin
Recorded at Echo Chamber Audio Studios
Mastered by Graham Campbell at JP La Pointe Studios
Album art by Pauline Cameron

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Lampshades & Offlights Halifax, Nova Scotia

At the ages of 15 and 16 - Julia, Tucker and Pauline started with only two acoustic guitars and their own voices. Over the next four years they continued writing songs and expanding their musical horizons. Our first and only full length album tells the story of our growth together. ... more

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